Press Release: Kim Jones

New Works: 03.3
11.13.03

New Works: 03.3

November 13, 2003 ?nuary 25, 2004

Jeremy Deller London, England

Kim Jones New York, New York

Robyn O'Neil Houston, Texas

Selected by Laura Hoptman

About the Artist

Kim Jones is best known for his visceral, at times disturbing,
performances as Mudman. In this ongoing series begun in the 1970s, he
covers his naked body with mud and sticks, transforming himself into a
walking sculpture. With a nod to Joseph Beuys, Jones brings this cryptic
concoction of myth, organic material, and interactivity to the public? only
to art-goers but also to those he encounters while roaming the streets.

Jones's object-based works are no less startling and evocative. Many
similarly involve mutation and a messy-ing of the everyday. An early example
is Calender (1975). Jones used felt-tip markers to transfer Mudman's
three-dimensional exoskeleton onto the pages of a pin-up calendar. Intricate
webs of barbed sticks mar the clean, voluptuous bodies of the nude women,
ultimately hiding them from view.

A similarly thorny tangle makes its way into Jones's installations. In A
Cripple in the Right Way May Beat a Racer in the Wrong One (1999), child-sized
cars adorn the walls, but are rendered unusable by the wood, foam, tape,
cord, and toy dolls that encase them. The jumble operates in much the same
way as the sticks do in other works?creates a nearly unbreachable, yet
altogether intriguing, barrier between the art piece and the viewer.

Kim Jones was born in California in 1944. After returning from the Vietnam
War, he earned a BFA from California Institute of Arts (1971) and an MFA
from Otis Art Institute (1973), both in Los Angeles, CA. He has had solo
exhibitions at The Sirius Art Centre, Cork, Ireland (2003); Pierogi Gallery,
Brooklyn, NY (2002); and John Weber Gallery, New York, NY (1999). Jones
has been included in group exhibitions at Nassauischer Kunstverein,
Wiesbaden, Germany (2001); Apex Art, New York, NY (1999); Museum of
Contemporary Art, Los Angeles, CA (1998); and the Museum of Modern Art,
New York, NY (1995, 1994). Kim Jones lives and works in New York,
NY.

About the Project

At ArtPace Kim Jones has filled the gallery with Flatland Wars, the
latest in his ongoing series of War Drawings. Working directly on the wall,
Jones uses pencil to map a labyrinth of oceans, cities, ramparts, and
cannons?wo-dimensional world inhabited by constantly warring
populations. Influenced by Flatland, a science fiction novel written by
Edwin A. Abbott in 1884, the War Drawings are video game-like in their
visual simplicity and intricate set of rules. Based on a childhood pastime of
the artist, these are his pictorial descriptions of an imaginary land where x's
and dots are in constant battle over territory.

As with many of his War Drawings, Flatland Wars began with a
drawing on paper, in this case one five years old. Jones works indefinitely on
these sheets, using graphite and eraser to allow for the sense of progress,
while evidence of the erased marks indicates the past. Cities are built and
knocked down. Troops move across the page in formation. Battalions are
killed and reinforcements sent in.

Although Flatland Wars started with a single piece of paper, it has
since strayed far beyond its borders. The massive drawing has filled three
gallery walls, covering almost 1,600 square feet. This is Jones's largest
War Drawing to date. But it is not alone in the gallery. Accompanying it
is another in the series played out on the pages of Jones's black sketchbook.
The book is on display in a vitrine, while the individual pages, reproduced in
photographs, are presented in sequence around the periphery of the room.

Surrounded by the sprawling maze of Flatland Wars, the quantity of
drawn marks and represented activity is astounding. While in other works
Jones creates barriers with masses of tangled matter, this piece is
diagrammatic and legible, yet nonetheless overwhelming in its breadth. The
irony is that, for all of its logic, Flatland Wars leads only to conflict. />

Exhibition Dates

November 13, 2003 ?nuary 25, 2004

Opening Reception

Thursday, November 13, 6:30-8:30 PM

Artists' Dialogue

Friday, November 14, 6:30-8:00 PM

Featuring Jeremy Deller, Kim Jones, and Robyn O'Neil. Moderated by Laura
Hoptman, Curator of Contemporary Art at the Carnegie Museum of Art, Pittsburgh,
Pennsylvania.

Brown Bag Lunch

Wednesday, December 17, 2003, 12:00-1:00 PM

Join us for a tour of New Works: 03.3 and a brown bag lunch provided by
Pecan Street Deli. Please call ArtPace to make reservations.

Event Locations

All events held at Artpace, 445 N. Main Avenue. Free parking at Flores Street
and Savings. Artpace is open to the public Wednesday thru Sunday, 12-5pm,
Thursday until 8pm and by appointment. There is no charge for
admission.

About ArtPace

ArtPace, A Foundation for Contemporary Art | San Antonio serves as an
advocate for contemporary art and as a catalyst for the creation of significant
art projects. We seek to nurture emerging and established artists and to
provide opportunities for inspiration, experimentation and education. Through
our International Artist-in-Residence Program, we invite nine artists annually
to participate in a two-month residency which supports the evolution of new
ideas in art. Our broad range of panels, lectures, artist talks and studio visits
cultivates diverse audiences for contemporary art and provides a forum for
ongoing dialogue.

445 North Main Avenue San Antonio TX 78205 t 210 212 4900 f 210 212 4990 www.artpace.org