Tony Villejo

Tony Villejo

Exposición: Mar 15 – May 13, 2001


La línea y el color dominan la instalación de esculturas a gran escala de Tony Villejo en Artpace. Las armaduras de metal soldado toman la forma de animales y figuras humanas, animando el espacio con sus esqueletos en forma de jaula. El espacio negativo y las líneas fuertes definen las formas, que aparecen como dibujos tridimensionales en el espacio.

Los sujetos recuerdan experiencias cotidianas en el sur de Texas. La interacción entre las personas y su entorno es de gran interés para el artista. En las imágenes icónicas de Villejo, uno se encuentra con un grupo de perros enloquecidos, una pelea caótica entre hombres y un pez que se puede encontrar en la señalización de un restaurante. En una pieza, un hombre está arrodillado, de espaldas al espectador; no está claro si está siendo arrestado por un crimen, ofreciendo una oración o adoptando una postura de yoga. Esta ambigüedad es típica de Villejo, quien explora el impacto de lo social en el comportamiento humano.

Villejo ha prestado especial atención a la instalación de estas esculturas. La iluminación personalizada proyecta sombras dramáticas de las piezas en las paredes, creando un ambiente animado similar al de un carnaval. Este estado de ánimo se ve reforzado por los evocadores sonidos de las langostas y el zumbido de los grillos en el espacio. El artista de medios de San Antonio George Cisneros colaboró con Villejo en el diseño de sonido.

El trabajo de Villejo como constructor de carrozas y diseñador de teatro informa la escala y el oficio de las esculturas. Juntos, los personajes se convierten en miembros de un repertorio a gran escala, una producción festiva y dinámica. El efecto es una combinación vertiginosa de una narrativa caprichosa y tensión psicológica.

Artista

Tony Villejo

San Antonio, Texas, USA

Tony Villejo was born in 1953 in San Antonio, TX where he lives and works. He studied fine art with Mel Casas at San Antonio College. Villejo has worked in the theater and entertainment industry for nearly two decades, building parade floats, creating retail displays, and designing theater sets for stage productions throughout Texas, as well as in Mexico City and New York. He has exhibited his paintings in San Antonio, TX at Centro Cultural Aztlan (1999); Blue Star Art Space (1998); Plaza Guadalupe (1995); Martin-Rathburn Gallery (1995); the San Antonio Museum of Art (1987), Carver Cultural Center (1985); Shawn-Davenport Gallery (1980); and the McNay Art Museum (1979).
Tony Villejo’s work transforms everyday images and stories into dynamic sculptural ensembles. A background in painting and theater design informs his installation of colorful, large-scale figures, notable for their craft and allegorical references.

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Curadores

Amada Cruz

Los Angeles, CA
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Kellie Jones

New York, NY
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Nancy Rubins

Topanga, California, USA

Born in 1952 in Naples, Texas, Californian Nancy Rubins received her MFA from the University of California, Davis. She has had numerous solo exhibitions, including shows at Paul Kasmin Gallery, The Museum of Modern Art, New York, and the Venice Biennale Aperto. Rubins’ work was included in the 1995 Whitney Biennial and the Museum of Contemporary Art, Los Angeles’ Helter Skelter exhibit in 1992. Rubins teaches at the University of California, Los Angeles’ Art Department. She has received grants from the Rockefeller Foundation, the Tiffany Foundation, and the National Endowment for the Arts.

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Annette DiMeo Carlozzi

Austin, TX

Independent curator Annette DiMeo Carlozzi has built an expansive practice across the US as a curator of modern and contemporary art, focusing on ideas and experiences, artists and audiences. Raised in Boston and trained at the Walker Art Center, she has served in a variety of foundational roles: as the first curator at Laguna Gloria Art Museum (now The Contemporary Austin); executive director of the Aspen Art Museum and the Contemporary Arts Center, New Orleans; Visual Arts Producer for the 1996 Olympic Games in Atlanta; and in multiple positions—ranging from founding modern and contemporary curator to Deputy Director for Art and Programs to Curator at Large—at the Blanton Museum of Art, University of Texas at Austin. Committed to expanding the canon, she has created notable exhibitions (Luis Jiménez, Paul Chan, Michael Smith, Deborah Hay, Negotiating Small TruthsAmerica/AmericasDesire), produced important commissions (Nancy Holt, Siah Armajani, Betye Saar, Vito Acconci, Byron Kim, Teresita Fernández), and acquired major works by a wide range of international artists. Carlozzi has had a long relationship with Artpace, having served as an early advisor, artist interviewer, and program panelist, member of the 1998 artist selection panel and 2001–03 Board of Visitors. In 2015 she curated Immersed from Linda Pace’s art collection, now called Ruby City.

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Dan Cameron

Newport Beach, California

From 2012 to 2015 he was Chief Curator at the Orange County Museum of Art in Newport Beach, California. In 2006, Dan Cameron founded the Biennial Prospect New Orleans, where he worked at until 2011. From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group exhibitions, such as East Village USA and Living inside the Grid, and several individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.
As independent curator he has organized many exhibitions that brought him international attention, such as El arte y su doble (Fundación Caixa, Madrid, 1987); El jardín salvaje (Fundación Caixa, Barcelona, 1991); Cocido y crudo (Museo Nacional Centro de Arte Reina Sofía, Madrid, 1995), among many others. In 2003, he was the Artistic Director of the 8th Istanbul Biennial, and in 2006, Co-curator of the 5th Taipei Biennial.
He has published hundreds of texts in books, catalogues and magazines, and has given numerous talks and conferences at museums and universities around the world, also carrying out an important teaching activity in New York.

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Hans Ulrich Obrist

London, England

Hans Ulrich-Obrist is the Co-Director of Exhibitions and Programs and Director of International Projects at the Serpentine Gallery in London, positions created for Ulrich-Obrist in April 2006. As a curator at the Musée d’Art Moderne de la Ville de Paris, France since 2000, among many other exhibitions he organized solo shows with Jonas Mekas (2003), Anri Sala (2004), and Cerith Wyn Evans (2006). Before this position Ulrich-Obrist was an independent curator for a decade, organizing the group show Take Me I’m Yours at the Serpentine (1995) and Retrace Your Steps: Remember at the John Soane Museum (1999), also in London, England. Ulrich-Obrist was a panelist in 1998 for the 1999-2000 year of artists, and was invited to be a speaker at the 2003 symposium, but was unable to come due to illness.
Photo by Dominik Gigler

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