Knowing That We God-like
Pruitt’s Artpace installation exemplifies his renegotiation of stereotypes of black identity, and he considers this body of work one of his most tightly conceived to date. Included are the artist’s […]
Glenn Kaino
Glenn Kaino’s Artpace project is centered around Quarter Mile (2007), a three-channel video installation that distorts the rhythm of several ambitious competitors whose renown in their respective professions is a […]
THE COVERT CAVIAR FREQUENCY DISRUPTOR
For his exhibition at Artpace, Carter has created several new bodies of work. Augmented by a selection of earlier objects, it offers the first occasion for the artist’s practice to […]
Narrative/Memory/Navigation
Marie Lorenz’s project at Artpace, Narrative/Memory/Navigation, has given her the first opportunity to integrate her divergent practices into a single installation, albeit one with contrasting elements culled from different histories […]
Power Play
Power Play features videos, photographs, and sculptures by Adel Abdessemed, Mircea Cantor, and Claire Fontaine that propose resistance to traditional power structures. The works were created in the last several […]
Jesse Amado
Untitled (beauty) (2006) reflects the human obsession with beauty and body. Made of sponge, the two-foot-square drawing is from a series that capitalizes upon the material’s skin-like qualities and its […]
Modern Piñatas
Franco Mondini-Ruiz’s WindowWorks project, Modern Piñatas features a series of hand-made, Paper Mache replicas of seminal paintings and sculptures from the modernist era. The floating piñatas, modeled after works by […]
Drive
In Drive, Caillouet frosted the window façade of the exhibition space, selectively exposing a series of trapezoidal shapes that represent the profile of car windows. Viewed only from the exterior […]
Existence is Fertile: Unsettlement
Randy Wallace’s two-part WindowWorks exhibition projects both promise and warning. Existence is Fertile: Unsettlement draws on the frightening side of fairy tales. Against Artpace’s windows the artist has built half […]
El Carreton (The Cart)
Rubio’s Artpace exhibition, El Carreton (The Cart), reflects his interest in collaboration and community effort. Further expanding on the artist’s undulating, vibrant aesthetic, the installation is Rubio’s first exploration in […]
What’s the point of revolution without copulation, copulation, copulation?
Evans’s Artpace project hinges on the battle between individual freedom and collective responsibility. The artist frames this debate around Peter Weiss’s play Marat/Sade (1963). Set in an asylum in the […]
Half Remembered
Buckingham’s exhibition Half Remembered brings together four disparate projects to examine questions of time and language. The silent black-and-white video projection Within the Sound of Your Voice shows dozens of […]
