Earth Changes

David Benjamin Sherry

Exhibition: Nov 15, 2012 – Jan 13, 2013

Earth Changes launches the vitality of Sherry’s abstractions of the landscape into three-dimensional space. Ten immense, dyed rocks rise from pedestals of varying heights, and are tightly packed to enact the experience of hiking through the desert. The stones’ saturated color emphasizes their natural striations and markings. Twelve photographs, varied in size and printed in stunning color, present close-up views of Big Bend National Park’s cliffs, ledges, and mineral deposits. The jagged outcrops and rugged terrain in the images parallel the sharp, angular forms of the quarried rocks. To echo the size and placement of the sculptures, Sherry playfully scattered his prints at various heights along the gallery walls.
Viewed from left to right in the space, the photographs and rocks proceed from violet to indigo to green, yellow, then orange and finally red, presenting the entire color spectrum. “I often need the whole spectrum of everything to understand myself and see the world,” explained Sherry in a 2012 ARTINFO interview.

Earth Changes pursues the immersive experience of the full range of color in the natural world. Much of Sherry’s process is about engaging with and engrossing himself in the desert landscape, then sharing the heightened moments and spiritual connection he has encountered. He believes that “everyone has this experience of awe of our landscape, a great abyss of wildlife, we all relate to the power of nature.” With strong hues-both in prints and on rocks-his Artpace installation endeavors to translate that extreme power.


During his Artpace residency, David Benjamin Sherry traveled to West Texas, hiking through the natural environment in Big Bend Natural Park, and taking detailed photographs of dry cliffs, crumbling ledges, and rocks. He discovered varying colors in Texas strata and geological formations, capturing them on large-format film. Interested in the active, hands-on aspect of developing film in a traditional darkroom, Sherry breaks the rules of perfect color balance in printing, pushing natural tints to the extreme utilizing a complex filtration process and longer exposure time to project light through a negative and impelling an organic color-such as canary yellow-to a higher level of intensity.

After he developed the film from the excursions to Big Bend, Sherry decided to link his photographic abstractions with (mostly native) boulders acquired from a stoneyard in Boerne, Texas. He spray-coated and colored the massive rocks with a small selection of concrete dyes mixed to achieve concentrated hues to correspond with his vibrant images. The work resulted in Sherry bringing found objects from the landscape into the physical gallery space-a three-dimensional complement and contrast to the flat images on the walls-and a departure for the photographer, who previously used natural elements in his Astral Desert “sand print” images coated with tinted sand, but has otherwise maintained traditional techniques in the endangered medium of film photography.


David Benjamin Sherry

Los Angeles, California, USA

David Benjamin Sherry photographs nature using traditional 4-by-5-inch film, which is altered in the darkroom, resulting in chromogenic prints in brilliant hues. Seeking inspiration in natural settings, he portrays geological phenomena such as rock formations and sand dunes, as well as landscapes, in vivid, unexpected colors that are a departure from their natural presentation. His stimulating spectrum presents an alternate reality, a radical imaginative view of the emotional connection and energy felt while traveling through America’s national parks, where most of his landscapes are photographed.
Born in Woodstock, New York, Sherry lives and works in Los Angeles, California. He received his MFA in Photography at Yale School of Art and his BFA in photography at The Rhode Island School of Design. His work has been the subject of national and international solo exhibitions including Astral Desert at Salon 94 in New York (2012); Form Forming Formation at OHWOW in Los Angeles (2011); The Fireplace Project in East Hampton, New York (2010); and Birth in Futureverse at Schlechtriem Brothers in Berlin (2009). His work has also been featured in group exhibitions such as Out of Focus: Photography at Saatchi Gallery in London (2012); The Anxiety of Photography at Aspen Art Museum (2011); New York Minute at The Garage Museum in Moscow (2011); and Greater New York 2010 at PS1/MOMA Contemporary Art Center (2010). A second book of his work, Quantum Light (2012, D.A.P.), was recently released in conjunction with his solo exhibition of Astral Desert.

See More


Heidi Zuckerman Jacobson

Aspen, Colorado, USA

Heidi Zuckerman Jacobson is the Director and Chief Curator at the Aspen Art Museum. From 1999-2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Tobias Rehberger, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, and T.J. Wilcox. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.
Zuckerman Jacobson has lectured extensively on contemporary art, independently curated exhibitions internationally, and served in numerous advisory capacities at The Louis Comfort Tiffany Foundation, The MacArthur Foundation, The Joan Mitchell Foundation, Creative Capital, and The Art Council, among others.
She received her BA from the University of Pennsylvania and MA in Art History from CUNY Hunter College. A graduate of Christie’s Education and recipient of a diploma from the Royal Society of Art, London, Zuckerman Jacobson has taught at UC Berkeley, CUNY Hunter College, and is on the faculty of CCA as a professor in the Masters of Curatorial Studies program.
Photo by Jim Paussa

See More