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During his Artpace residency, Pendleton concentrated on the production and reproduction of a familiar set of forms that recall Modernist sculptor Constantin Brancusi. As if to propose a faulty memory of the precise appearance of the Romanian artist’s The Endless Column, Pendleton slightly skewered the shape so that it remains recognizable but incorrect. Aided by a studio team who crafted and sanded the molds meticulously to create an inky-black surface (a color Brancusi never used for his column sculptures), he designs a collection of totemic structures that appear to be future ruins. The forms, stacked at varying heights, act as stand-ins for an impossibility. Not by coincidence, they also resemble totemic structures that carry ritualistic or mystical potential.