One to Another

Borderland Collective

Exhibition: Sep 6 – Dec 30, 2018

Opening Reception: Thursday, September 6 from 6 – 8 PM

Over the last few years, hundreds of thousands of refugees have fled their homes—places like Syria, Myanmar, and El Salvador—in search of respite from war, unbearable violence, famine, and climate catastrophe. These migrants are among tens of millions of people who are currently displaced, seeking asylum, or stateless1; add in those migrating for labor and economic opportunity, and the number increases to a quarter billion people moving around the world.2 Philosopher Thomas Nail writes, “This increase in human mobility and expulsion affects us all. It should be recognized as a defining feature of our epoch: the 21st century will be the century of the migrant.”3 This wave of human movement brings with it social, economic, and political repercussions. Divisive debates over immigration policy and increased partisanship can be seen across the world. What does the future hold if these migratory trend lines continue? How do we individually and collectively approach the real world consequences of uprooted lives and shifting demographics? Where do we begin?

One to Another, led by Borderland Collective artists Mark Menjivar, Molly Sherman, and Jason Reed, activates Artpace’s Hudson Showroom and Main Space galleries, turning them into spaces of listening, critical inquiry, and participation. The exhibition invites viewers to contemplate their own familial migration stories within the context of larger migration narratives. Stories gathered from around the country will serve as a starting point, but the exhibition also utilizes forensic archives, video and sound installations, a refugee housing unit, and United Nations hearings to engender a critically conscious reading of how narratives are constructed within layered contexts of media, politics, and individual lives. Storytelling is generative, can open a door to empathy, and move us to action. As Spanish philosopher Fina Birulés says, “While storytelling does not solve any problem and does not master anything forever, it adds yet another element in the repertory of the world, it is a way for human beings to leave a lasting presence in the world, not as species, but as a plurality of who’s.”4 We each have a migration story—some are just more recent than others.

Special thanks to Dr. Kate Spradley and Dr. Joe Adserias Garriga of Operation Identification, Eddie Canales of the South Texas Human Rights Center, Don White of the Brooks County Sheriff’s Office, Märta Terne of Better Shelter, and staff at the United Nations Library.
1. United Nations High Commissioner for Refugees, “Figures at a Glance,” UNHCR, accessed September 01, 2017,
2. Phillip Connor, “International migration: Key findings from the U.S., Europe and the world,” Pew Research Center, December 15, 2016, accessed September 01, 2017,
3. Thomas Nail, “We are entering a new epoch: the century of the migrant” Aeon, December 14, 2016, accessed September 01, 2017,
4. Arie Amaya-Akkermans, “The Story of Reconciliation” Hannah Arendt Center For Politics And The Humanities At Bard College, April 9, 2012, accessed August 1, 2018,


Borderland Collective


Borderland Collective is a long-term art and education project that utilizes collaborations between artists, educators, youth, and community members to engage complex issues and build space for diverse perspectives, meaningful dialogue, and modes of creation and reflection. Started in 2007 in the small oil town of Big Lake, Texas by public school teacher Ryan Sprott and artist Jason Reed, the project has worked in various and fluid ways with a few hundred participants to date, each of whom has been an integral part of our work. Among them include young women navigating between Native American tradition and urban culture in Albuquerque, East Asian and African refugees new to America and searching for a sense of place in San Antonio, young men who ranch in Mexico on the weekends but call Presidio, Texas home, or undergrads at Washington and Lee University touring our Northern Triangle traveling exhibition and mapping out their family migration stories. The collective in Borderland Collective, therefore, references a mindset rather than a set group of members, allowing for ever-evolving modes of practice and perspective. Borderland Collective projects are archived at Texas State University, have been exhibited in galleries and public spaces in Texas, Arizona, Illinois, New York, Washington D.C, and Mexico City, and have been shared through lectures and publications across the globe. Borderland Collective is artists Mark Menjivar, Molly Sherman, and Jason Reed.

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