Fareed Armaly

Exhibition: Jul 8 – Sep 12, 2004

Orient(n)ations is Fareed Armaly’s first major project in the US in over a decade. Like previous projects, this installation situates architecture and media as cardinal points on the mental and social maps that inform identity. The elements that Armaly has amassed in the gallery work together to create an abstract compass. The north-south axis is formed by the architecture of the space, which has been activated through layers of paint matching the colors of the building’s exterior. On polar ends of the east-west axis are two monitors, each playing a film from the 1950s—one employing radio as a subversive tool, the other as an arm of the establishment.

Armaly turns to radio, a format that reached heights in the 1950s and has recently experienced a rebirth due to wireless technologies and Internet broadcasting, rather than working with images—the dominant vehicle of contemporary media. In the center of the gallery, Armaly inscribed the floor with radio call numbers and arranged a group of low modern chairs in a random pattern that implies spontaneity and movement. Each seat is equipped with wireless headphones tuned to a different radio program produced by Armaly and collaborators. These five programs establish different connections between the two films and represent the fluidity of narratives that might emerge from any given set of circumstances.

In its map-like construction, Orient(n)ations literalizes theories of the social imaginary. Its various components combine to create a spatial narrative formed by intersections of media and architecture—a narrative that maps who we are and how we exist in relationship to physical, social, and psychological spheres.


Fareed Armaly

Washington, DC, USA

Born to Palestinian and Lebanese parents in the US, Fareed Armaly has lived his adult life abroad, gaining most of his knowledge about America via the media. These multicultural experiences dovetail with issues explored in his installations: identity and representation, as well as the idea of the social imaginary—a discourse about how human interaction fabricates a collective understanding of the world.
Maps are referenced both literally and metaphorically in Armaly’s work. In his 1999 project From/To, routes to and from a range of Middle Eastern cities were plotted in the real space of the gallery. As viewers moved through the installation, video, audio, and documentary material combined with structural elements to expose the Palestinian experience, particularly the physical and psychological barriers encountered on a daily basis. In this work, as in others, Armaly reveals how various components—namely architecture and media—intersect and overlap to form a space in which identity is created and comprehended.
Fareed Armaly was born in Iowa City, Iowa in 1957. Solo exhibitions include From/To, Witte de With, Rotterdam, NL (1999); BREA-KD-OWN, Palais des Beaux-Arts, Brussels, Belgium (1993); and re(Orient), Galerie Lorenz, Paris, France (1989). He has also participated in numerous group exhibitions including Documenta 11, Kassel, Germany (2002); Architectures of Discourse, Tapies Foundation Museum, Barcelona, Spain (2001); NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark (1996); and Project Unite, Unite d’Habitation, Firminy, France (1993). The artist divides his time between Berlin, Germany and Washington, DC.

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Ute Meta Bauer

Vienna, Austria

Ute Meta Bauer was appointed Professor of Theory, Practice, and Mediation of Contemporary Art at the Academy of Fine Arts Vienna in 1996 and since 2003 is also vice rector for international relations at the academy. In addition to her faculty position, Bauer is the founding Director of the Office For Contemporary Art Norway in Oslo, and was recently appointed Artistic Director for the 3rd Berlin Biennial For Contemporary Art which will open February 2004.   Recently, Bauer was part of the curatorial team for Documenta11 (2002).
Focusing on art, architecture and sound linked to feminist and socio-political discourses, Bauer’s curatorial work includes the exhibition First Story – Women Building/New Narratives for the 21st Century (2001) for the European Cultural Capital.  That same year she also curated the exhibition Architectures of Discourse for the Fundació Antoni Tapiès in Barcelona.  From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating“ (1992).
Since 1985, Bauer has also worked as free-lance curator and editor of publications in the field of contemporary art and mediation of art, among them Education, Information, Entertainment: New Approaches in Higher Artistic Education (Vienna 2001) and periodicals like META 1 – 4 (Stuttgart 1992-94) and case (Barcelona 2001, Porto 2002).

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