
Courtesy of theTodd Johnson
Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

(Reception area,restrooms,second floor landing,and Hudson (Show)Room)Todd Johnson
Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro

Courtesy of theTodd Johnson
Courtesy of the artisSource: FinePix S3Pro
Borders worldwide carve out adjacent regions of flux. While governmental currencies and economies may remain distinct, with each crossing the fluid realms of language and culture blend. The resulting hybrid zones of neither/nor reflect hierarchical complexities of colonial histories and create uniquely rich landscapes that unconsciously and deliberately pull from both sides.
The group exhibition Spanglish offers distinct contemporary perspectives on the hybridity of South Texas. Recent pieces by San Antonians describe the region as Mexican and American, not a reduction of either. Included works offer reflexive responses to the everyday, political gestures toward a troubling history, and the realities of the language and culture of Spanglish.
Kate Green
Assistant Curator