WHERE THE LIGHT SHINES THROUGH

Anita Fields

In Residence: Jan 29 – Mar 22, 2025

Exhibition: Mar 20 – Jul 13, 2025


Anita Fields’s Artpace exhibition, Where the Light Shines Through, explores the kinship between humans and the earth, water, and sky through an Indigenous Osage lens. Fields mines historical memory through Osage material culture, emphasizing the strength of resilience and identity woven within each craft. The multi-media exhibition is a welcomed invitation to ground oneself in a fast-moving, contemporary world and be present in a space of ancestral storytelling and reflection. 

At the center of the exhibition, The Sun Leads You Home, is a suspended house structure with otherworldly, gossamer walls, which embodies ancestral connections. Fields integrates her grandmother’s tag markings, mirroring Osage archival preservation techniques. The piece, evoking both shelter and craft, is a touchstone of intergenerational knowledge as a form of healing in turbulent times. 

A gold-sprayed elk figurine embodies a version of the Osage genesis narrative. The elk symbolizes creation and survival, having sacrificed itself to make the land fertile for the Osage people. When The Elk Created the Earth examines humanity’s connection to nature and the cosmos.   

The Memory of the Sun and The Earth Carries a Memory, each displayed on the western walls, reflect the significance of Cahokia and Sugarloaf ceremonial mounds, emphasizing Osage origins and the impact of colonial intervention on these sacred sites. The weaving patterns honor cultural heritage and serve as a visual language of resistance, reinforcing the resilience and continuity of the tribe’s traditions. Fields explores the loss of ancestral lands due to modern disruptions while incorporating textile patterns that symbolize Osage craft and identity.  

Where The Light Shines Through evokes vitality and remembrance through indigenous techniques such as finger weaving, embellishment, and ribbon work. At Artpace, Anita Fields offers an intimate yet expansive reflection on the enduring connections between human existence, ancestral knowledge, and the natural world. 

—Ada Smith Genitempo, Manager of Residencies and Exhibitions 

Artist

Anita Fields

Stillwater, Oklahoma

Born in Oklahoma, Anita Fields is a contemporary multi-disciplinary artist and citizen of the Osage Nation. Her sculptures of clay ,textile, and installation explore the intricacies of cultural influences at the intersections of balance and chaos.  

Her sculptures have been featured in many solo and group exhibitions, including the Counterpublic 2023 St. Louis Triennial, St. Louis, Missouri, Form and Relation: Contemporary Native Ceramics, Hood Museum, Dartmouth College, the 2018-2020 Hearts of Our People, Minneapolis Institute of Art, and the 2018 Art for A New Understanding: Native Voices, 1950’s to Now at Crystal Bridges Museum of American Art. 

Her work can be found in several collections, such as the Museum of the American Indian, Smithsonian, the Museum of Art and Design, New York City, the Minneapolis Institute of Art, Dartmouth College, New Hampshire, and the Heard Museum, Arizona. 

Fields is 2017-2023 Tulsa Artist Fellowship alumni. She was named a 2021 National Endowment of the Arts Heritage Fellow and received a 2021 Anonymous Was a Woman award. In 2022 she received a Francis J Greenburger award.  

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Curators

Jami Powell

Quechee, Vermont

Jami Powell (she/her) is the Associate Director for Curatorial Affairs and Curator of Indigenous Art at the Hood Museum of Art at Dartmouth College where she also serves as a senior lecturer in the Native American and Indigenous Studies Department. Powell is a citizen of the Osage Nation and has a PhD in anthropology from the University of North Carolina at Chapel Hill. During her tenure at the Hood Museum, Powell has curated exhibitions including Form and Relation: Contemporary Native American Ceramics, CIPX Dartmouth with Kali Spitzer and Will Wilson, Madayin: Eight Decades of Aboriginal Bark Painting from Yirrkala, and This Land: American Engagement with the Natural World.  Powell’s co-edited volume titled Reimagining American Art is scheduled to be released in 2024. She has also published articles in Museum Anthropology, Museum Management and Curatorship, and serves on the editorial advisory boards for First American Art Magazine and Panorama. She is a recipient of the 2020 New Leadership Award from ArtTable, the foremost professional organization dedicated to advancing the leadership of women in the visual arts. Powell’s upcoming projects include the first solo exhibition and catalog for Chemehuevi photographer and artist Cara Romero. 

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