Girl Fight
Kate Gilmore’s Girl Fight offers an overview of the artist’s work extending back to 2004, and culminating in a new sculptural installation and accompanying videotaped performance made at Artpace. Unfolding […]
Karen Mahaffy
For her WindowWorks exhibition, Mahaffy presents a triptych that simulates an ornately furnished space. The set-like construction is situated close to the gallery windows in order to capture shadows cast […]
Your Move
For her WindowWorks exhibition, Your Move, Morales presents a large-scale, interactive n-puzzle. This sliding rebus is a 4 x 4 grid of jumbled, labeled squares with one square missing. To […]
Home/Work
For his Window Works exhibition, Home/Work, Hogensen furthers his investigation of environment by combining abstract form with video projection, a new medium for the artist. In Home/Work the windows are […]
Sepia Officinalis
Taryn Simon’s Artpace exhibition, a photo-sculptural installation titled Sepia Officinalis, is a departure from the artist’s previous bodies of work, introducing a more intuitive atmosphere of trial and error based […]
The first man who bought a juicer bought it not for drinking juice
The debut of Chunsheng’s film The first man who bought a juicer bought it not for drinking juice falls almost exactly eighty years after the original broadcast of Orson Welles’ […]
Absorbing Liminal Homeostasis
Richie Budd’s installation for Artpace, Absorbing Liminal Homeostasis, is a new chapter in the artist’s investigation of heightened sensory experience. It incorporates Neuro-Linguistic Programming (NLP), a communication model applied in […]
The Body of Crime
ERRE’s Artpace exhibition, The Body of Crime, consists of several interrelated works: a sculptural installation, a video projection, photographs, and audio elements, all of which relate to a fictitious crime […]
Moby Dick(Tracy) (after ishmael, chico de cano y carl hampton)
In Helen Lock’s 1993 essay “‘A Man’s Story Is His Gris-gris’: Ishmael Reed’s Neo-HooDoo Aesthetic and the African American Tradition,” she states, “[Reed’s] aesthetic could be called ‘art as subversion,’ […]
TRAVIS
The cyclical narration of Bradford’s installation TRAVIS expresses ideas of displacement and transition, tracing such changes back through history. In keeping with the artist’s ongoing investigation of the relationship between […]
Untitled (Rodney McMillian)
McMillian’s Untitled comprises a group of paintings, photographs, and historical ephemera. Each work references myriad sources—from Cormac McCarthy’s novel The Road to 19th-century American and German landscape painting. Seen as […]
America’s Family Prison
“This is the fascinating thing about prisons. The power neither conceals itself nor is masked, it shows as ferocious tyranny in the most minimal details.” —Michel Foucault The private prison […]
