By Permit Only: Untitled (Sigil for Wealth and Prosperity)

Untitled (Sigil for Wealth and Prosperity) (2010) depicts an abstract symbol traditionally used for magical purposes. An enlarged version of the sigil was on view in the Artpace courtyard July […]
Mamas Don’t Let Your Babies Grow Up To Be Cowboys

Devon Dikeou’s Mamas Don’t Let Your Babies Grow Up to Be Cowboys continues her ongoing exploration of the complicated relationships among artists, curators, collectors, spectators, and the art that circulates […]
CatFight

Saber-toothed tigers, more appropriately referred to as saber-toothed cats, are the primary subject of E.V. Day’s expressive tableau, CatFight. Continuing her investigation of issues of femininity through the utilization of […]
Janet Cardiff and George Bures Miller

Janet Cardiff and Georges Bures Miller are internationally exhibited Canadian artists who work and live in Berlin, Germany. They have collaborated for more than 15 years in producing complex audio-visual […]
Handmade

Handmade contains a comprehensive survey of Tracey Moffatt’s thematic videos, created between 1999 and 2010. The seven montages-utilizing nearly 1,000 pre-existing television and film clips to reconstruct new narratives-are […]
The Teeth of the Wind and the Sea

For his exhibition at Artpace, The Teeth of the Wind and the Sea, Vormstein has filled the walls of the Hudson (Show)Room with paintings, drawings, and collages-primarily on gessoed newspaper-featuring […]
It Is a Natural Black, Sprinkled With Cosmic Iridescence

Justin Boyd is a San Antonio-based multimedia artist whose installations employ sculpture, video, light, and sound to produced layered narratives that draw upon history, literature, folklore, and other shared cultural […]
13 Views in Arid Lands

13 Views in Arid Lands is a new series of 360° scrolling Southwestern American landscapes, shot in time lapse and presented in a set of custom peephole cabinets. Our panoramas […]
Ever So Much More So

In the 1992 film A Few Good Men, Kevin Bacon’s character (Captain Jack Ross, an attorney) hands Jack Nicholson’s character (Army Colonel Nathan R. Jessup) a Code of Conduct manual. […]
There Is Not Anything Which Returns to Nothing

Jeff Williams presents several proposals for a new kind of architecture in There is Not Anything Which Returns to Nothing. These plans, composed of a video, three photographs, and two […]
Under Heavy Manners

Graham Fagen’s exhibition, Under Heavy Manners, builds on two decades of work dedicated to examining the ways in which culture is produced and negotiated by people and objects. At Artpace, […]
Extrusions

Frank Benson’s Extrusions is an installation of six sculptures and four photographs. Each pair of richly colored images includes a portrait of a seated figure and a detail of an […]